Justė joins us off the back of a major milestone. Her latest single with Jaxstyle and Jon, ‘Turn The Lights Off’, has surpassed 20 million streams on Spotify and reached over 1 billion plays globally, marking a significant moment in her career.
In this interview, she talks about how the track came together, the experience of collaborating on such a widely received release, and what the response has meant to her.
Turn The Lights Off has reached over a billion global impressions — when did it first hit you that the track had become something truly massive?
At first I did not really understand how big it was. I saw the numbers growing but it felt unreal. I think it really hit me when major radio stations started playing it and I heard that it was getting rotation in different countries. That was the moment when I realised it was becoming something much bigger than just a release.
The Jon Hamm meme played a huge role in the song’s viral rise. How did you first discover it was taking off online, and what was your reaction?
I found out about the trend when it was already very popular online. Then I realised how fast it was spreading around the world. I felt surprised, but in a good way.
What made Turn The Lights Off resonate so strongly?
I think it is the combination of dark energy and something catchy. It feels emotional but still very danceable. The hook is simple and strong. It works in clubs and radios but also on social media. That balance helped it travel across different platforms.
Did you have any expectations for the track when it was first released, or has its success completely exceeded what you imagined?
Of course we were aiming for the track to do well and we believed in it. That was always the goal. But there is always a chance that things do not go the way you hope. This time it really worked out for us, and we feel very happy and grateful about that.
How has the viral success impacted you?
Creatively it made me more confident. Professionally it opened many doors. Emotionally it was a big shift because suddenly more people were watching. I had to grow quickly and understand the responsibility that comes with it.
The track has lived everywhere from memes to playlists to club sets. How does it feel hearing your track become part of global pop culture in that way?
It feels personal. When I see the song living in memes, playlists and club sets around the world, it feels surreal in a way. It shows me how far an idea can travel once it connects with people.
What helped it stand the test of repeat listens?
I think the vocal tone and the space in the production. It is not too crowded. The drop feels strong but not aggressive. There is tension and release. That makes people want to replay it.
What excites you about hearing your song reinterpreted?
It is interesting to hear how different producers see the same idea. A remix shows another personality of the track. It makes me realise how flexible the song actually is.
Gabry Ponte is known for his iconic Eurodance sound and club heritage — what was your initial reaction when you heard his remix for the first time?
I was excited because he has such a strong history in dance music. When I heard his remix, I noticed that he brought it into a psytrance direction. It felt powerful and energetic in a different way from the original, but still connected to the track.
Do you feel the remixes have introduced Turn The Lights Off to a different audience than the original, particularly in club and festival spaces?
Yes, I think so. The original version feels more radio and playlist friendly, while the remixes bring more club and festival energy. That naturally attracts a slightly different audience. It gives the track more space to live in different environments.
How important are remixes for modern dance records?
I think they are very important. Especially now when music moves so fast. A remix can refresh the track and bring it back to attention. It extends the life of the record and keeps it relevant.
Has hearing remixes changed how you think about your music?
Yes. It made me think more about how flexible a track can be. It showed me that a strong idea can live in many forms. That is something I keep in mind now when creating new music.
After such a defining release, do you feel any pressure when approaching new music — or does this success give you more creative freedom?
Of course there is some pressure. I see it more as motivation. It gives me more freedom because now I know people are listening. In a way, it also made me grow faster as an artist, and I think that is a good thing for me.
Most surreal moments from this success?
Seeing the streaming numbers grow so fast. Hearing the song played in clubs where people sing along. Getting opportunities to travel and perform because of it. Those moments feel surreal.
Where do you hope the song and your career go next?
I hope the song continues to live in different spaces, clubs, festivals, remixes. For my career, I want to keep building my sound, especially around speed garage and emotional club music. I want to grow internationally but stay authentic to who I am.
